| The difficulty with color is to go beyond the | Memory is very important, the memory of |
| fact that it's color to have it be not just a | each photo taken, flowing at the same speed |
| colorful picture but really be a picture about | as the event. During the work, you have to be |
| something. It's difficult. So often color gets | sure that you haven't left any holes, that you've |
| caught up in color, and it becomes merely | captured everything, because afterwards it will |
| decorative. Some photographers use [ it ] | be too late. - Henri Cartier Bresson |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | Pictures you have taken have an influence on |
| - Mary Ellen Mark | those that you are going to make. |
| | That's life! - John Sexton |
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New York |
Chicago |
Atlanta |
Birmingham |
Orlando |
Memphis |
Staten Island |
Fort Worth |
Cookeville |
Lexington |
Fountain Valley |
Little Rock |
Lebanon |
Attleboro |
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Sunrise |
Boca Raton |
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Kankakee |
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| A great photograph is one that fully expresses | Once photography enters your bloodstream, |
| what one feels, in the deepest sense, about | it's like a disease. - Anon |
| what is being photographed. - Ansel | |
| Adams | Photography is my passion. - Alfred |
| | Stieglitz |
| I think the best pictures are often on the edges | |
| of any situation, I don't find photographing the | There is nothing worse than a sharp image of |
| situation nearly as interesting as | a fuzzy concept. - Ansel Adams |
| photographing the edges. - William Albert | |
| Allard | Photography takes an instant out of time, |
| | altering life by holding it still. - Dorothea |
| | Lange |
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