| Photography records the gamut of feelings | I think the best pictures are often on the edges |
| written on the human face, the beauty of the | of any situation, I don't find photographing the |
| earth and skies that man has inherited and the | situation nearly as interesting as |
| wealth and confusion man has created. | photographing the edges. - William Albert |
| - Edward Steichen | Allard |
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| I think you have to have a real point of view | A picture is the expression of an impression. If |
| that's your own. You have to tell it your way. | the beautiful were not in us, how would we |
| And, I think that it's a mistake to shoot for a | ever recognize it? - Ernst Haas |
| specific magazine's point of view because it's | |
| never going to be as good. You have to shoot | |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | |
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Los Angeles |
Chicago |
Savannah |
Waco |
Hot Springs |
Rockford |
Huntington Beach |
Knoxville |
Richland |
Louisville |
Lancaster |
Monroe |
Paducah |
Palm Coast |
Columbia |
Haverhill |
Barstow |
Franklin Park |
Surfside Beach |
Carthage |
Broken Arrow |
Fayetteville |
Coraopolis |
North Syracuse |
Mclean |
Cape Canaveral |
Dunkirk |
Sikeston |
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| Above all, it's hard learning to live with vivid | A mad, keen photographer needs to get out |
| mental images of scenes I cared for and failed | into the world and work and make mistakes. |
| to photograph. It is the edgy existence within | - Sam Abell |
| me of these unmade images that is the only | |
| assurance that the best photographs are yet to | The difficulty with color is to go beyond the |
| be made. - Sam Abell | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| "Simply look with perceptive eyes at the | something. It's difficult. So often color gets |
| world about you, and trust to your own | caught up in color, and it becomes merely |
| reactions and convictions. Ask yourself: | decorative. Some photographers use [ it ] |
| "Does this subject move me to feel, think | brilliantly to make visual statements combining |
| and dream? Can I visualize a print - my own | color and content; otherwise it is empty. |
| personal statement of what I feel and want to | - Mary Ellen Mark |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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