| You've got to push yourself harder. You've got | Now to consult the rules of composition before |
| to start looking for pictures nobody else could | making a picture is a little like consulting the |
| take. You've got to take the tools you have and | law of gravitation before going for a walk. |
| probe deeper. - William Albert Allard | Such rules and laws are deduced from the |
| | accomplished fact; they are the products of |
| Photography records the gamut of feelings | reflection . . . - Edward Weston |
| written on the human face, the beauty of the | |
| earth and skies that man has inherited and the | Photography is my passion. - Alfred |
| wealth and confusion man has created. | Stieglitz |
| - Edward Steichen | |
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San Jose |
Milwaukee |
Memphis |
Detroit |
Nashville |
Louisville |
Glendale |
New Orleans |
Evansville |
St. Paul |
Palestine |
Rockmart |
Stillwater |
Spartanburg |
Fort Pierce |
Ponca City |
Madera |
Abilene |
Webster |
Seaford |
King Of Prussia |
Mary Esther |
Dry Ridge |
Cocoa Beach |
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| Photography suits the temper of this ageof | A room hung with pictures is a room hung with |
| active bodies and minds. It is a perfect | thoughts. - Sir Joshua Reynolds |
| medium for one whose mind is teeming with | |
| ideas, imagery, for a prolific worker who | You can find pictures anywhere. It's simply a |
| would be slowed down by painting or | matter of noticing things and organizing them. |
| sculpting, for one who sees quickly and acts | You just have to care about what's around you |
| decisively, accurately. - Edward Weston | and have a concern with humanity and the |
| | human comedy. - Elliott Erwitt |
| I almost never set out to photograph a | |
| landscape, nor do I think of my camera as a | You learn to see by practice. It's just like |
| means of recording a mountain or an animal | playing tennis, you get better the more you |
| unless I absolutely need a 'record shot'. My | play. The more you look around at things, the |
| first thought is always of light. - Galen | more you see. The more you photograph, the |
| Rowell | more you realize what can be photographed |
| | and what can't be photographed. You just have |
| | to keep doing it. - Eliot Porter |
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