| ...words and pictures can work together to | No place is boring, if you've had a good |
| communicate more powerfully than either | night's sleep and have a pocket full of |
| alone. -William Albert Allard | unexposed film. - Robert Adams |
| | |
| Memory is very important, the memory of | A great photograph is one that fully expresses |
| each photo taken, flowing at the same speed | what one feels, in the deepest sense, about |
| as the event. During the work, you have to be | what is being photographed. - Ansel |
| sure that you haven't left any holes, that you've | Adams |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | I think the best pictures are often on the edges |
| | of any situation, I don't find photographing the |
| | situation nearly as interesting as |
| | photographing the edges. - William Albert |
| | Allard |
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Chicago |
New York |
Tucson |
Knoxville |
Arlington |
Huntington Beach |
Peoria |
Philadelphia |
Orange |
San Bernardino |
Alexandria |
Easton |
Shelby |
New Smyrna Beach |
Mission Viejo |
North Brunswick |
Bartlesville |
El Cajon |
Cookeville |
Apex |
Thomson |
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| The difficulty with color is to go beyond the | It is not the language of painters but the |
| fact that it's color to have it be not just a | language of nature which one should listen to. |
| colorful picture but really be a picture about | . . . The feeling for the things themselves, for |
| something. It's difficult. So often color gets | reality, is more important than the feeling for |
| caught up in color, and it becomes merely | pictures. - Vincent Van Gogh |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | Photography takes an instant out of time, |
| color and content; otherwise it is empty. | altering life by holding it still. - Dorothea |
| - Mary Ellen Mark | Lange |
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