| Photography takes an instant out of time, | My own eyes are no more than scouts on a |
| altering life by holding it still. - Dorothea | preliminary search, for the camera's eye may |
| Lange | entirely change my idea. - Edward |
| | Weston |
| [Photography] is a way of feeling, of touching, | |
| of loving. What you have caught on film is | I almost never set out to photograph a |
| captured forever . . . it remembers little things, | landscape, nor do I think of my camera as a |
| long after you have forgotten everything. | means of recording a mountain or an animal |
| - Aaron Siskind | unless I absolutely need a 'record shot'. My |
| | first thought is always of light. - Galen |
| | Rowell |
|
|
Houston |
Chicago |
Rochester |
Tulsa |
Memphis |
Gastonia |
St. George |
Thousand Oaks |
Palm Harbor |
Holland |
Bridgeville |
Somerset |
Riviera Beach |
Riverside |
Panama City Beach |
Whittier |
Florence |
Wesley Chapel |
Mars |
Newport |
Pinole |
Roswell |
Healy |
Puyallup |
Evanston |
Monroe |
Priceville |
Vestal Parkway |
Annapolis |
|
|
| Photography is a major force in explaining | Keep it simple. - Alfred Eienstaedt |
| man to man. - Edward Steichen | |
| | I think the best pictures are often on the edges |
| I think you have to have a real point of view | of any situation, I don't find photographing the |
| that's your own. You have to tell it your way. | situation nearly as interesting as |
| And, I think that it's a mistake to shoot for a | photographing the edges. - William Albert |
| specific magazine's point of view because it's | Allard |
| never going to be as good. You have to shoot | |
| for yourself and photograph [the way] you | Sometimes you can tell a large story with a |
| believe it. - Mary Ellen Mark | tiny subject. - Eliot Porter |
|