| "Simply look with perceptive eyes at the | A room hung with pictures is a room hung with |
| world about you, and trust to your own | thoughts. - Sir Joshua Reynolds |
| reactions and convictions. Ask yourself: | |
| "Does this subject move me to feel, think | You can find pictures anywhere. It's simply a |
| and dream? Can I visualize a print - my own | matter of noticing things and organizing them. |
| personal statement of what I feel and want to | You just have to care about what's around you |
| convey - from the subject before me?" | and have a concern with humanity and the |
| - Ansel Adams | human comedy. - Elliott Erwitt |
| | |
| Photography takes an instant out of time, | I think the best pictures are often on the edges |
| altering life by holding it still. - Dorothea | of any situation, I don't find photographing the |
| Lange | situation nearly as interesting as |
| | photographing the edges. - William Albert |
| | Allard |
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Louisville |
Oakland |
Greenville |
Lancaster |
Palm Beach Gardens |
North Brunswick |
Crystal Lake |
Phenix City |
Suffolk |
Apex |
Waterbury |
Shawnee |
Garden Grove |
Clawson |
Hammond |
Valentine |
Cleveland |
Manhattan Beach |
Massillon |
Hudson |
Webster |
Gladstone |
Mason City |
Markham |
Decatur |
Fairfield |
Thomasville |
Sullivan |
Redondo Beach |
Harrodsburg |
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| One should really use the camera as though | Memory is very important, the memory of |
| tomorrow you'd be stricken blind. | each photo taken, flowing at the same speed |
| - Dorothea Lange | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| The difficulty with color is to go beyond the | captured everything, because afterwards it will |
| fact that it's color to have it be not just a | be too late. - Henri Cartier Bresson |
| colorful picture but really be a picture about | |
| something. It's difficult. So often color gets | I think you have to have a real point of view |
| caught up in color, and it becomes merely | that's your own. You have to tell it your way. |
| decorative. Some photographers use [ it ] | And, I think that it's a mistake to shoot for a |
| brilliantly to make visual statements combining | specific magazine's point of view because it's |
| color and content; otherwise it is empty. | never going to be as good. You have to shoot |
| - Mary Ellen Mark | for yourself and photograph [the way] you |
| | believe it. - Mary Ellen Mark |
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