| "Simply look with perceptive eyes at the | A mad, keen photographer needs to get out |
| world about you, and trust to your own | into the world and work and make mistakes. |
| reactions and convictions. Ask yourself: | - Sam Abell |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | Photography suits the temper of this ageof |
| personal statement of what I feel and want to | active bodies and minds. It is a perfect |
| convey - from the subject before me?" | medium for one whose mind is teeming with |
| - Ansel Adams | ideas, imagery, for a prolific worker who |
| | would be slowed down by painting or |
| Once photography enters your bloodstream, | sculpting, for one who sees quickly and acts |
| it's like a disease. - Anon | decisively, accurately. - Edward Weston |
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Lubbock |
Greenville |
Roanoke |
Harrisburg |
Milford |
Idaho Falls |
Richland |
State College |
Mineral Wells |
Liverpool |
Kennett |
Elizabeth |
Rosemead |
Hearne |
Roslyn |
Torrance |
River Falls |
Danville |
Madison |
Gladewater |
Marion |
Carpinteria |
Worthington |
Short Hills |
Gorham |
Artesia |
Ruidoso |
Joelton |
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| I think the best pictures are often on the edges | ...words and pictures can work together to |
| of any situation, I don't find photographing the | communicate more powerfully than either |
| situation nearly as interesting as | alone. -William Albert Allard |
| photographing the edges. - William Albert | |
| Allard | Photography records the gamut of feelings |
| | written on the human face, the beauty of the |
| A good picture is equivalent to a good deed. | earth and skies that man has inherited and the |
| - Vincent Van Gogh | wealth and confusion man has created. |
| | - Edward Steichen |
| No place is boring, if you've had a good | |
| night's sleep and have a pocket full of | |
| unexposed film. - Robert Adams | |
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