| No place is boring, if you've had a good | It is not the language of painters but the |
| night's sleep and have a pocket full of | language of nature which one should listen to. |
| unexposed film. - Robert Adams | . . . The feeling for the things themselves, for |
| | reality, is more important than the feeling for |
| You can find pictures anywhere. It's simply a | pictures. - Vincent Van Gogh |
| matter of noticing things and organizing them. | |
| You just have to care about what's around you | [Photography] is a way of feeling, of touching, |
| and have a concern with humanity and the | of loving. What you have caught on film is |
| human comedy. - Elliott Erwitt | captured forever . . . it remembers little things, |
| | long after you have forgotten everything. |
| | - Aaron Siskind |
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Houston |
Brooklyn |
Dallas |
Pittsburgh |
New York |
Albuquerque |
Buffalo |
Minneapolis |
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Tampa |
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Euless |
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Oak Forest |
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Oregon |
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| Photography suits the temper of this ageof | Photography records the gamut of feelings |
| active bodies and minds. It is a perfect | written on the human face, the beauty of the |
| medium for one whose mind is teeming with | earth and skies that man has inherited and the |
| ideas, imagery, for a prolific worker who | wealth and confusion man has created. |
| would be slowed down by painting or | - Edward Steichen |
| sculpting, for one who sees quickly and acts | |
| decisively, accurately. - Edward Weston | Photography is about finding out what can |
| | happen in the frame. When you put four |
| My own eyes are no more than scouts on a | edges around some facts, you change those |
| preliminary search, for the camera's eye may | facts. - Gary Winogrand |
| entirely change my idea. - Edward | |
| Weston | |
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