| One should really use the camera as though | I think you have to have a real point of view |
| tomorrow you'd be stricken blind. | that's your own. You have to tell it your way. |
| - Dorothea Lange | And, I think that it's a mistake to shoot for a |
| | specific magazine's point of view because it's |
| My own eyes are no more than scouts on a | never going to be as good. You have to shoot |
| preliminary search, for the camera's eye may | for yourself and photograph [the way] you |
| entirely change my idea. - Edward | believe it. - Mary Ellen Mark |
| Weston | |
| | You've got to push yourself harder. You've got |
| The virtue of the camera is not the power it | to start looking for pictures nobody else could |
| has to transform the photographer into an | take. You've got to take the tools you have and |
| artist, but the impulse it gives him to keep on | probe deeper. - William Albert Allard |
| looking. - Brooks Anderson | |
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Cincinnati |
Colorado Springs |
Austin |
Richmond |
Baton Rouge |
Omaha |
Indianapolis |
Quincy |
Columbus |
Danville |
Anaheim |
Grand Island |
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| You learn to see by practice. It's just like | Photography takes an instant out of time, |
| playing tennis, you get better the more you | altering life by holding it still. - Dorothea |
| play. The more you look around at things, the | Lange |
| more you see. The more you photograph, the | |
| more you realize what can be photographed | [Photography] is a way of feeling, of touching, |
| and what can't be photographed. You just have | of loving. What you have caught on film is |
| to keep doing it. - Eliot Porter | captured forever . . . it remembers little things, |
| | long after you have forgotten everything. |
| Sometimes you can tell a large story with a | - Aaron Siskind |
| tiny subject. - Eliot Porter | |
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