| "Simply look with perceptive eyes at the | No place is boring, if you've had a good |
| world about you, and trust to your own | night's sleep and have a pocket full of |
| reactions and convictions. Ask yourself: | unexposed film. - Robert Adams |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | A room hung with pictures is a room hung with |
| personal statement of what I feel and want to | thoughts. - Sir Joshua Reynolds |
| convey - from the subject before me?" | |
| - Ansel Adams | A great photograph is one that fully expresses |
| | what one feels, in the deepest sense, about |
| Above all, it's hard learning to live with vivid | what is being photographed. - Ansel |
| mental images of scenes I cared for and failed | Adams |
| to photograph. It is the edgy existence within | |
| me of these unmade images that is the only | |
| assurance that the best photographs are yet to | |
| be made. - Sam Abell | |
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San Jose |
Livonia |
Fort Lauderdale |
Santa Barbara |
Houma |
New Britain |
Anderson |
Muscatine |
Austintown |
Midland |
Manheim |
Peru |
Fairfield |
Monroeville |
Roxboro |
Marysville |
Searcy |
Lompoc |
Medford |
Canal Winchester |
Statesboro |
Prescott |
West Hollywood |
Union City |
Auburn |
Yucca Valley |
Brandon |
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| You've got to push yourself harder. You've got | Photography suits the temper of this ageof |
| to start looking for pictures nobody else could | active bodies and minds. It is a perfect |
| take. You've got to take the tools you have and | medium for one whose mind is teeming with |
| probe deeper. - William Albert Allard | ideas, imagery, for a prolific worker who |
| | would be slowed down by painting or |
| Memory is very important, the memory of | sculpting, for one who sees quickly and acts |
| each photo taken, flowing at the same speed | decisively, accurately. - Edward Weston |
| as the event. During the work, you have to be | |
| sure that you haven't left any holes, that you've | One should really use the camera as though |
| captured everything, because afterwards it will | tomorrow you'd be stricken blind. |
| be too late. - Henri Cartier Bresson | - Dorothea Lange |
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