| Memory is very important, the memory of | "Simply look with perceptive eyes at the |
| each photo taken, flowing at the same speed | world about you, and trust to your own |
| as the event. During the work, you have to be | reactions and convictions. Ask yourself: |
| sure that you haven't left any holes, that you've | "Does this subject move me to feel, think |
| captured everything, because afterwards it will | and dream? Can I visualize a print - my own |
| be too late. - Henri Cartier Bresson | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| Photography knows how to authenticate its | - Ansel Adams |
| misrepresentations. - Mason Cooley | |
| | Photography is my passion. - Alfred |
| | Stieglitz |
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Memphis |
Wilmington |
Brooklyn |
Manchester |
Houston |
Sun City |
Sugar Land |
Mount Sterling |
Athens |
Riverton |
Sevierville |
Moody |
Mount Pleasant |
State College |
Panama City Beach |
Charleston |
Covington |
Tewksbury |
Lancaster |
Stoughton |
Meadville |
Findlay |
Lahaina, Maui |
Covington |
Richmondville |
Southington |
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| I almost never set out to photograph a | No place is boring, if you've had a good |
| landscape, nor do I think of my camera as a | night's sleep and have a pocket full of |
| means of recording a mountain or an animal | unexposed film. - Robert Adams |
| unless I absolutely need a 'record shot'. My | |
| first thought is always of light. - Galen | A great photograph is one that fully expresses |
| Rowell | what one feels, in the deepest sense, about |
| | what is being photographed. - Ansel |
| The difficulty with color is to go beyond the | Adams |
| fact that it's color to have it be not just a | |
| colorful picture but really be a picture about | Sometimes you can tell a large story with a |
| something. It's difficult. So often color gets | tiny subject. - Eliot Porter |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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