| A picture is the expression of an impression. If | [Photography] is a way of feeling, of touching, |
| the beautiful were not in us, how would we | of loving. What you have caught on film is |
| ever recognize it? - Ernst Haas | captured forever . . . it remembers little things, |
| | long after you have forgotten everything. |
| No place is boring, if you've had a good | - Aaron Siskind |
| night's sleep and have a pocket full of | |
| unexposed film. - Robert Adams | It is not the language of painters but the |
| | language of nature which one should listen to. |
| I think the best pictures are often on the edges | . . . The feeling for the things themselves, for |
| of any situation, I don't find photographing the | reality, is more important than the feeling for |
| situation nearly as interesting as | pictures. - Vincent Van Gogh |
| photographing the edges. - William Albert | |
| Allard | |
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| The difficulty with color is to go beyond the | Memory is very important, the memory of |
| fact that it's color to have it be not just a | each photo taken, flowing at the same speed |
| colorful picture but really be a picture about | as the event. During the work, you have to be |
| something. It's difficult. So often color gets | sure that you haven't left any holes, that you've |
| caught up in color, and it becomes merely | captured everything, because afterwards it will |
| decorative. Some photographers use [ it ] | be too late. - Henri Cartier Bresson |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | ...words and pictures can work together to |
| - Mary Ellen Mark | communicate more powerfully than either |
| | alone. -William Albert Allard |
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