| There is nothing worse than a sharp image of | A picture is the expression of an impression. If |
| a fuzzy concept. - Ansel Adams | the beautiful were not in us, how would we |
| | ever recognize it? - Ernst Haas |
| Photography is my passion. - Alfred | |
| Stieglitz | No place is boring, if you've had a good |
| | night's sleep and have a pocket full of |
| "Simply look with perceptive eyes at the | unexposed film. - Robert Adams |
| world about you, and trust to your own | |
| reactions and convictions. Ask yourself: | I think the best pictures are often on the edges |
| "Does this subject move me to feel, think | of any situation, I don't find photographing the |
| and dream? Can I visualize a print - my own | situation nearly as interesting as |
| personal statement of what I feel and want to | photographing the edges. - William Albert |
| convey - from the subject before me?" | Allard |
| - Ansel Adams | |
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Brooklyn |
Raleigh |
Baltimore |
Atlanta |
Tacoma |
Fremont |
Hollywood |
Athens |
Odessa |
Idabel |
Belton |
North Miami |
Sterling Heights |
Canal Winchester |
Robinson |
Prineville |
De Soto |
Danbury |
Pawtucket |
Chamberlain |
Ionia |
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| The difficulty with color is to go beyond the | Photography records the gamut of feelings |
| fact that it's color to have it be not just a | written on the human face, the beauty of the |
| colorful picture but really be a picture about | earth and skies that man has inherited and the |
| something. It's difficult. So often color gets | wealth and confusion man has created. |
| caught up in color, and it becomes merely | - Edward Steichen |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | You've got to push yourself harder. You've got |
| color and content; otherwise it is empty. | to start looking for pictures nobody else could |
| - Mary Ellen Mark | take. You've got to take the tools you have and |
| | probe deeper. - William Albert Allard |
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