| Sometimes you can tell a large story with a | It is not the language of painters but the |
| tiny subject. - Eliot Porter | language of nature which one should listen to. |
| | . . . The feeling for the things themselves, for |
| I think the best pictures are often on the edges | reality, is more important than the feeling for |
| of any situation, I don't find photographing the | pictures. - Vincent Van Gogh |
| situation nearly as interesting as | |
| photographing the edges. - William Albert | "Simply look with perceptive eyes at the |
| Allard | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| A picture is the expression of an impression. If | "Does this subject move me to feel, think |
| the beautiful were not in us, how would we | and dream? Can I visualize a print - my own |
| ever recognize it? - Ernst Haas | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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San Francisco |
Dallas |
Tulsa |
St. Louis |
Clarksville |
New Bedford |
Pembroke Pines |
St. Joseph |
Lexington |
Salinas |
Denville |
Tamarac |
Briarcliff Manor |
Medford |
Fishkill |
Milford |
Batesville |
Cleveland |
Williamston |
Lewisville |
Camden |
Benson |
East Orleans |
Bass River |
Indian Rocks Beach |
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| You've got to push yourself harder. You've got | Photography suits the temper of this ageof |
| to start looking for pictures nobody else could | active bodies and minds. It is a perfect |
| take. You've got to take the tools you have and | medium for one whose mind is teeming with |
| probe deeper. - William Albert Allard | ideas, imagery, for a prolific worker who |
| | would be slowed down by painting or |
| I think you have to have a real point of view | sculpting, for one who sees quickly and acts |
| that's your own. You have to tell it your way. | decisively, accurately. - Edward Weston |
| And, I think that it's a mistake to shoot for a | |
| specific magazine's point of view because it's | I almost never set out to photograph a |
| never going to be as good. You have to shoot | landscape, nor do I think of my camera as a |
| for yourself and photograph [the way] you | means of recording a mountain or an animal |
| believe it. - Mary Ellen Mark | unless I absolutely need a 'record shot'. My |
| | first thought is always of light. - Galen |
| | Rowell |
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