| Photography suits the temper of this ageof | You learn to see by practice. It's just like |
| active bodies and minds. It is a perfect | playing tennis, you get better the more you |
| medium for one whose mind is teeming with | play. The more you look around at things, the |
| ideas, imagery, for a prolific worker who | more you see. The more you photograph, the |
| would be slowed down by painting or | more you realize what can be photographed |
| sculpting, for one who sees quickly and acts | and what can't be photographed. You just have |
| decisively, accurately. - Edward Weston | to keep doing it. - Eliot Porter |
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| A mad, keen photographer needs to get out | A room hung with pictures is a room hung with |
| into the world and work and make mistakes. | thoughts. - Sir Joshua Reynolds |
| - Sam Abell | |
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San Francisco |
Birmingham |
Chicago |
Houston |
Memphis |
Bronx |
Los Angeles |
Malvern |
Palm Desert |
Simi Valley |
Natchitoches |
Bardstown |
Cohasset |
Millville |
Santa Clara |
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Ft. Worth |
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Metropolis |
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| Photography takes an instant out of time, | Photography knows how to authenticate its |
| altering life by holding it still. - Dorothea | misrepresentations. - Mason Cooley |
| Lange | |
| | I think you have to have a real point of view |
| "Simply look with perceptive eyes at the | that's your own. You have to tell it your way. |
| world about you, and trust to your own | And, I think that it's a mistake to shoot for a |
| reactions and convictions. Ask yourself: | specific magazine's point of view because it's |
| "Does this subject move me to feel, think | never going to be as good. You have to shoot |
| and dream? Can I visualize a print - my own | for yourself and photograph [the way] you |
| personal statement of what I feel and want to | believe it. - Mary Ellen Mark |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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