| You can find pictures anywhere. It's simply a | You've got to push yourself harder. You've got |
| matter of noticing things and organizing them. | to start looking for pictures nobody else could |
| You just have to care about what's around you | take. You've got to take the tools you have and |
| and have a concern with humanity and the | probe deeper. - William Albert Allard |
| human comedy. - Elliott Erwitt | |
| | Photography knows how to authenticate its |
| A good picture is equivalent to a good deed. | misrepresentations. - Mason Cooley |
| - Vincent Van Gogh | |
| | Memory is very important, the memory of |
| A room hung with pictures is a room hung with | each photo taken, flowing at the same speed |
| thoughts. - Sir Joshua Reynolds | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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Chicago |
San Antonio |
El Paso |
Colorado Springs |
Lexington |
Dearborn |
Albany |
Leominster |
Cambridge |
Robinson |
Terre Haute |
Duncanville |
Bettendorf |
Dumas |
Winnsboro |
Grain Valley |
San Rafael |
Santa Monica |
Shelbyville |
Manchester |
Mystic |
Ann Arbor |
Brandon |
City Of Industry |
Independence |
Oaks |
Sierra Vista |
Shawnee |
Maryland Heights |
Salem |
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| The camera makes everyone a tourist in other | It is not the language of painters but the |
| people's reality. - Susan Sontag | language of nature which one should listen to. |
| | . . . The feeling for the things themselves, for |
| The difficulty with color is to go beyond the | reality, is more important than the feeling for |
| fact that it's color to have it be not just a | pictures. - Vincent Van Gogh |
| colorful picture but really be a picture about | |
| something. It's difficult. So often color gets | Photography is my passion. - Alfred |
| caught up in color, and it becomes merely | Stieglitz |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | "Simply look with perceptive eyes at the |
| color and content; otherwise it is empty. | world about you, and trust to your own |
| - Mary Ellen Mark | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
|