| The camera makes everyone a tourist in other | A picture is the expression of an impression. If |
| people's reality. - Susan Sontag | the beautiful were not in us, how would we |
| | ever recognize it? - Ernst Haas |
| The virtue of the camera is not the power it | |
| has to transform the photographer into an | I think the best pictures are often on the edges |
| artist, but the impulse it gives him to keep on | of any situation, I don't find photographing the |
| looking. - Brooks Anderson | situation nearly as interesting as |
| | photographing the edges. - William Albert |
| One should really use the camera as though | Allard |
| tomorrow you'd be stricken blind. | |
| - Dorothea Lange | |
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New York |
Chicago |
Los Angeles |
San Antonio |
Houston |
Canton |
Delray Beach |
Elkhart |
Waterford |
Clinton |
Sacramento |
Charleston |
Fort Wayne |
Martin |
Edison |
Brookfield |
Columbia |
Westlake Village |
Okmulgee |
Yukon |
Perryville |
Mesquite |
Manchester |
Bridgewater |
Hamilton |
Jacksonville |
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| Memory is very important, the memory of | Now to consult the rules of composition before |
| each photo taken, flowing at the same speed | making a picture is a little like consulting the |
| as the event. During the work, you have to be | law of gravitation before going for a walk. |
| sure that you haven't left any holes, that you've | Such rules and laws are deduced from the |
| captured everything, because afterwards it will | accomplished fact; they are the products of |
| be too late. - Henri Cartier Bresson | reflection . . . - Edward Weston |
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| Pictures you have taken have an influence on | Photography takes an instant out of time, |
| those that you are going to make. | altering life by holding it still. - Dorothea |
| That's life! - John Sexton | Lange |
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