| You can find pictures anywhere. It's simply a | "Simply look with perceptive eyes at the |
| matter of noticing things and organizing them. | world about you, and trust to your own |
| You just have to care about what's around you | reactions and convictions. Ask yourself: |
| and have a concern with humanity and the | "Does this subject move me to feel, think |
| human comedy. - Elliott Erwitt | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| A room hung with pictures is a room hung with | convey - from the subject before me?" |
| thoughts. - Sir Joshua Reynolds | - Ansel Adams |
| | |
| Sometimes you can tell a large story with a | [Photography] is a way of feeling, of touching, |
| tiny subject. - Eliot Porter | of loving. What you have caught on film is |
| | captured forever . . . it remembers little things, |
| | long after you have forgotten everything. |
| | - Aaron Siskind |
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Chicago |
Columbus |
Oklahoma City |
Los Angeles |
Milwaukee |
Austin |
Colorado Springs |
Salem |
Kingsport |
Sumter |
Elizabethton |
Nampa |
Lafayette |
Baton Rouge |
Jamestown |
Maple Grove |
Cypress |
Greenfield |
Madison |
Brazil |
West Palm Beach |
Astoria |
Gig Harbor |
Liberty |
Bay City |
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| You've got to push yourself harder. You've got | One should really use the camera as though |
| to start looking for pictures nobody else could | tomorrow you'd be stricken blind. |
| take. You've got to take the tools you have and | - Dorothea Lange |
| probe deeper. - William Albert Allard | |
| | The virtue of the camera is not the power it |
| Photography records the gamut of feelings | has to transform the photographer into an |
| written on the human face, the beauty of the | artist, but the impulse it gives him to keep on |
| earth and skies that man has inherited and the | looking. - Brooks Anderson |
| wealth and confusion man has created. | |
| - Edward Steichen | A mad, keen photographer needs to get out |
| | into the world and work and make mistakes. |
| | - Sam Abell |
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