| Now to consult the rules of composition before | Photography is a major force in explaining |
| making a picture is a little like consulting the | man to man. - Edward Steichen |
| law of gravitation before going for a walk. | |
| Such rules and laws are deduced from the | I think you have to have a real point of view |
| accomplished fact; they are the products of | that's your own. You have to tell it your way. |
| reflection . . . - Edward Weston | And, I think that it's a mistake to shoot for a |
| | specific magazine's point of view because it's |
| It is not the language of painters but the | never going to be as good. You have to shoot |
| language of nature which one should listen to. | for yourself and photograph [the way] you |
| . . . The feeling for the things themselves, for | believe it. - Mary Ellen Mark |
| reality, is more important than the feeling for | |
| pictures. - Vincent Van Gogh | |
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| The virtue of the camera is not the power it | A good picture is equivalent to a good deed. |
| has to transform the photographer into an | - Vincent Van Gogh |
| artist, but the impulse it gives him to keep on | |
| looking. - Brooks Anderson | I think the best pictures are often on the edges |
| | of any situation, I don't find photographing the |
| My own eyes are no more than scouts on a | situation nearly as interesting as |
| preliminary search, for the camera's eye may | photographing the edges. - William Albert |
| entirely change my idea. - Edward | Allard |
| Weston | |
| | A great photograph is one that fully expresses |
| | what one feels, in the deepest sense, about |
| | what is being photographed. - Ansel |
| | Adams |
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