| I almost never set out to photograph a | Above all, it's hard learning to live with vivid |
| landscape, nor do I think of my camera as a | mental images of scenes I cared for and failed |
| means of recording a mountain or an animal | to photograph. It is the edgy existence within |
| unless I absolutely need a 'record shot'. My | me of these unmade images that is the only |
| first thought is always of light. - Galen | assurance that the best photographs are yet to |
| Rowell | be made. - Sam Abell |
| | |
| The virtue of the camera is not the power it | It is not the language of painters but the |
| has to transform the photographer into an | language of nature which one should listen to. |
| artist, but the impulse it gives him to keep on | . . . The feeling for the things themselves, for |
| looking. - Brooks Anderson | reality, is more important than the feeling for |
| | pictures. - Vincent Van Gogh |
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Chicago |
Houston |
Bronx |
St. Louis |
El Paso |
Columbia |
Austin |
Inglewood |
Morristown |
Berkeley |
Burlington |
Marshall |
New Britain |
Hempstead |
Galveston |
Kokomo |
Vermillion |
Pontiac |
Sherman |
Johnson City |
Easton |
Port Richey |
Hazlet |
New Florence |
Pearland |
Vernon |
Farmington |
Round Rock |
Tuscola |
Blytheville |
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| A great photograph is one that fully expresses | I think you have to have a real point of view |
| what one feels, in the deepest sense, about | that's your own. You have to tell it your way. |
| what is being photographed. - Ansel | And, I think that it's a mistake to shoot for a |
| Adams | specific magazine's point of view because it's |
| | never going to be as good. You have to shoot |
| You can find pictures anywhere. It's simply a | for yourself and photograph [the way] you |
| matter of noticing things and organizing them. | believe it. - Mary Ellen Mark |
| You just have to care about what's around you | |
| and have a concern with humanity and the | Memory is very important, the memory of |
| human comedy. - Elliott Erwitt | each photo taken, flowing at the same speed |
| | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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