| A picture is the expression of an impression. If | Photography is my passion. - Alfred |
| the beautiful were not in us, how would we | Stieglitz |
| ever recognize it? - Ernst Haas | |
| | It is not the language of painters but the |
| Keep it simple. - Alfred Eienstaedt | language of nature which one should listen to. |
| | . . . The feeling for the things themselves, for |
| You can find pictures anywhere. It's simply a | reality, is more important than the feeling for |
| matter of noticing things and organizing them. | pictures. - Vincent Van Gogh |
| You just have to care about what's around you | |
| and have a concern with humanity and the | "Simply look with perceptive eyes at the |
| human comedy. - Elliott Erwitt | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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Brooklyn |
San Diego |
Alameda |
Thousand Oaks |
Jonesboro |
Kennett Square |
Miami Beach |
Sulphur Springs |
West Columbia |
Port Huron |
Buford |
Price |
Woodstock |
Galveston |
Bonita Springs |
Ishpeming |
Highlands Ranch |
Kingman |
Marysville |
Corvallis |
Ponte Vedra Beach |
Apopka |
Russellville |
Hardeeville |
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| I think you have to have a real point of view | The virtue of the camera is not the power it |
| that's your own. You have to tell it your way. | has to transform the photographer into an |
| And, I think that it's a mistake to shoot for a | artist, but the impulse it gives him to keep on |
| specific magazine's point of view because it's | looking. - Brooks Anderson |
| never going to be as good. You have to shoot | |
| for yourself and photograph [the way] you | The camera makes everyone a tourist in other |
| believe it. - Mary Ellen Mark | people's reality. - Susan Sontag |
| | |
| Photography knows how to authenticate its | A mad, keen photographer needs to get out |
| misrepresentations. - Mason Cooley | into the world and work and make mistakes. |
| | - Sam Abell |
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