| The difficulty with color is to go beyond the | ...words and pictures can work together to |
| fact that it's color to have it be not just a | communicate more powerfully than either |
| colorful picture but really be a picture about | alone. -William Albert Allard |
| something. It's difficult. So often color gets | |
| caught up in color, and it becomes merely | Memory is very important, the memory of |
| decorative. Some photographers use [ it ] | each photo taken, flowing at the same speed |
| brilliantly to make visual statements combining | as the event. During the work, you have to be |
| color and content; otherwise it is empty. | sure that you haven't left any holes, that you've |
| - Mary Ellen Mark | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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Tucson |
Madison |
Tampa |
Charleston |
Spokane |
Davenport |
Springfield |
High Point |
Hayward |
Frederick |
San Marcos |
Grand Prairie |
Ypsilanti |
Meriden |
Concord |
West Columbia |
Wagoner |
Hendersonville |
Guthrie |
Colorado Springs |
Geneva |
Coral Springs |
Decatur |
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| There is nothing worse than a sharp image of | A room hung with pictures is a room hung with |
| a fuzzy concept. - Ansel Adams | thoughts. - Sir Joshua Reynolds |
| | |
| Now to consult the rules of composition before | Keep it simple. - Alfred Eienstaedt |
| making a picture is a little like consulting the | |
| law of gravitation before going for a walk. | A good picture is equivalent to a good deed. |
| Such rules and laws are deduced from the | - Vincent Van Gogh |
| accomplished fact; they are the products of | |
| reflection . . . - Edward Weston | A great photograph is one that fully expresses |
| | what one feels, in the deepest sense, about |
| | what is being photographed. - Ansel |
| | Adams |
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