| Now to consult the rules of composition before | The difficulty with color is to go beyond the |
| making a picture is a little like consulting the | fact that it's color to have it be not just a |
| law of gravitation before going for a walk. | colorful picture but really be a picture about |
| Such rules and laws are deduced from the | something. It's difficult. So often color gets |
| accomplished fact; they are the products of | caught up in color, and it becomes merely |
| reflection . . . - Edward Weston | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| [Photography] is a way of feeling, of touching, | color and content; otherwise it is empty. |
| of loving. What you have caught on film is | - Mary Ellen Mark |
| captured forever . . . it remembers little things, | |
| long after you have forgotten everything. | |
| - Aaron Siskind | |
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Brooklyn |
Seattle |
Birmingham |
Sacramento |
Orlando |
Newport News |
Bainbridge |
Tyler |
Beaver Falls |
St. Louis Park |
Miami |
Fort Smith |
Albany |
Hillsborough |
Newport |
King |
Thibodaux |
Oacoma |
Yorba Linda |
Custer |
Fortuna |
Clovis |
Landover Hills |
White House |
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| A room hung with pictures is a room hung with | ...words and pictures can work together to |
| thoughts. - Sir Joshua Reynolds | communicate more powerfully than either |
| | alone. -William Albert Allard |
| I think the best pictures are often on the edges | |
| of any situation, I don't find photographing the | Photography is a major force in explaining |
| situation nearly as interesting as | man to man. - Edward Steichen |
| photographing the edges. - William Albert | |
| Allard | Photography records the gamut of feelings |
| | written on the human face, the beauty of the |
| Keep it simple. - Alfred Eienstaedt | earth and skies that man has inherited and the |
| | wealth and confusion man has created. |
| | - Edward Steichen |
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