| A room hung with pictures is a room hung with | Photography knows how to authenticate its |
| thoughts. - Sir Joshua Reynolds | misrepresentations. - Mason Cooley |
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| You learn to see by practice. It's just like | Photography is about finding out what can |
| playing tennis, you get better the more you | happen in the frame. When you put four |
| play. The more you look around at things, the | edges around some facts, you change those |
| more you see. The more you photograph, the | facts. - Gary Winogrand |
| more you realize what can be photographed | |
| and what can't be photographed. You just have | Memory is very important, the memory of |
| to keep doing it. - Eliot Porter | each photo taken, flowing at the same speed |
| | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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Oakland |
Wichita |
Indianapolis |
Fort Lauderdale |
Mesa |
Albany |
Toms River |
Hammond |
Santa Fe |
Manhattan Beach |
Bensalem |
Big Spring |
Alexandria |
Eunice |
Waynesville |
Newton |
Chickasha |
Easley |
Alma |
Dixon |
Woodland |
North Bend |
Webster |
Huber Heights |
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| One should really use the camera as though | "Simply look with perceptive eyes at the |
| tomorrow you'd be stricken blind. | world about you, and trust to your own |
| - Dorothea Lange | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| The difficulty with color is to go beyond the | and dream? Can I visualize a print - my own |
| fact that it's color to have it be not just a | personal statement of what I feel and want to |
| colorful picture but really be a picture about | convey - from the subject before me?" |
| something. It's difficult. So often color gets | - Ansel Adams |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | Photography takes an instant out of time, |
| brilliantly to make visual statements combining | altering life by holding it still. - Dorothea |
| color and content; otherwise it is empty. | Lange |
| - Mary Ellen Mark | |
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