| You learn to see by practice. It's just like | Pictures you have taken have an influence on |
| playing tennis, you get better the more you | those that you are going to make. |
| play. The more you look around at things, the | That's life! - John Sexton |
| more you see. The more you photograph, the | |
| more you realize what can be photographed | Photography is a major force in explaining |
| and what can't be photographed. You just have | man to man. - Edward Steichen |
| to keep doing it. - Eliot Porter | |
| | You've got to push yourself harder. You've got |
| A great photograph is one that fully expresses | to start looking for pictures nobody else could |
| what one feels, in the deepest sense, about | take. You've got to take the tools you have and |
| what is being photographed. - Ansel | probe deeper. - William Albert Allard |
| Adams | |
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Chicago |
St. Louis |
Atlanta |
Colorado Springs |
Fort Myers |
Raleigh |
Jersey City |
Hampton |
Pueblo |
New Smyrna Beach |
Hickory |
Santa Maria |
Cherry Hill |
San Antonio |
Troy |
La Crosse |
Versailles |
Fort Pierce |
Ruston |
Texas City |
Edison |
Bonner Springs |
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| "Simply look with perceptive eyes at the | The camera makes everyone a tourist in other |
| world about you, and trust to your own | people's reality. - Susan Sontag |
| reactions and convictions. Ask yourself: | |
| "Does this subject move me to feel, think | One should really use the camera as though |
| and dream? Can I visualize a print - my own | tomorrow you'd be stricken blind. |
| personal statement of what I feel and want to | - Dorothea Lange |
| convey - from the subject before me?" | |
| - Ansel Adams | The difficulty with color is to go beyond the |
| | fact that it's color to have it be not just a |
| Once photography enters your bloodstream, | colorful picture but really be a picture about |
| it's like a disease. - Anon | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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