| It is not the language of painters but the | You've got to push yourself harder. You've got |
| language of nature which one should listen to. | to start looking for pictures nobody else could |
| . . . The feeling for the things themselves, for | take. You've got to take the tools you have and |
| reality, is more important than the feeling for | probe deeper. - William Albert Allard |
| pictures. - Vincent Van Gogh | |
| | Photography is about finding out what can |
| "Simply look with perceptive eyes at the | happen in the frame. When you put four |
| world about you, and trust to your own | edges around some facts, you change those |
| reactions and convictions. Ask yourself: | facts. - Gary Winogrand |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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Pittsburgh |
Orlando |
St. Louis |
Portland |
Grand Rapids |
Cedar Rapids |
San Jose |
St. Joseph |
Edison |
Malden |
Fullerton |
Sheboygan |
Jackson |
Auburn |
Brookline |
Georgetown |
Potosi |
Anaheim |
Anaheim Hills |
Rocky Hill |
Murray |
Norwalk |
Marshall |
Marysville |
Solvang |
Southern Pines |
Cheboygan |
Cranford |
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| The virtue of the camera is not the power it | A room hung with pictures is a room hung with |
| has to transform the photographer into an | thoughts. - Sir Joshua Reynolds |
| artist, but the impulse it gives him to keep on | |
| looking. - Brooks Anderson | You can find pictures anywhere. It's simply a |
| | matter of noticing things and organizing them. |
| My own eyes are no more than scouts on a | You just have to care about what's around you |
| preliminary search, for the camera's eye may | and have a concern with humanity and the |
| entirely change my idea. - Edward | human comedy. - Elliott Erwitt |
| Weston | |
| | You learn to see by practice. It's just like |
| | playing tennis, you get better the more you |
| | play. The more you look around at things, the |
| | more you see. The more you photograph, the |
| | more you realize what can be photographed |
| | and what can't be photographed. You just have |
| | to keep doing it. - Eliot Porter |
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