| Once photography enters your bloodstream, | Memory is very important, the memory of |
| it's like a disease. - Anon | each photo taken, flowing at the same speed |
| | as the event. During the work, you have to be |
| Now to consult the rules of composition before | sure that you haven't left any holes, that you've |
| making a picture is a little like consulting the | captured everything, because afterwards it will |
| law of gravitation before going for a walk. | be too late. - Henri Cartier Bresson |
| Such rules and laws are deduced from the | |
| accomplished fact; they are the products of | Pictures you have taken have an influence on |
| reflection . . . - Edward Weston | those that you are going to make. |
| | That's life! - John Sexton |
|
|
Houston |
Oklahoma City |
New York |
Charlotte |
Tucson |
Brooklyn |
Long Beach |
York |
Alameda |
Salisbury |
Trenton |
Bensalem |
Goldsboro |
Ludington |
Deerfield Beach |
Bartlesville |
West Seneca |
Madison |
Broomfield |
Greensboro |
Pembroke Pines |
Reidsville |
Chantilly |
|
|
| The difficulty with color is to go beyond the | A great photograph is one that fully expresses |
| fact that it's color to have it be not just a | what one feels, in the deepest sense, about |
| colorful picture but really be a picture about | what is being photographed. - Ansel |
| something. It's difficult. So often color gets | Adams |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | Keep it simple. - Alfred Eienstaedt |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | A good picture is equivalent to a good deed. |
| - Mary Ellen Mark | - Vincent Van Gogh |
|