| Photography takes an instant out of time, | You can find pictures anywhere. It's simply a |
| altering life by holding it still. - Dorothea | matter of noticing things and organizing them. |
| Lange | You just have to care about what's around you |
| | and have a concern with humanity and the |
| Once photography enters your bloodstream, | human comedy. - Elliott Erwitt |
| it's like a disease. - Anon | |
| | A good picture is equivalent to a good deed. |
| "Simply look with perceptive eyes at the | - Vincent Van Gogh |
| world about you, and trust to your own | |
| reactions and convictions. Ask yourself: | A picture is the expression of an impression. If |
| "Does this subject move me to feel, think | the beautiful were not in us, how would we |
| and dream? Can I visualize a print - my own | ever recognize it? - Ernst Haas |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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Birmingham |
Miami |
Brooklyn |
Denton |
Grand Junction |
Santa Fe |
Myrtle Beach |
Cullman |
Indianapolis |
Henderson |
Peoria |
Reno |
Muncie |
Medford |
Fairfield |
Poteau |
High Point |
Rosemead |
Georgetown |
Hood River |
Dublin |
Canal Winchester |
Stillwater |
Milford |
Valley |
Rosenberg |
Coos Bay |
Carlsbad |
Dundee |
Ft. Madison |
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| The virtue of the camera is not the power it | I think you have to have a real point of view |
| has to transform the photographer into an | that's your own. You have to tell it your way. |
| artist, but the impulse it gives him to keep on | And, I think that it's a mistake to shoot for a |
| looking. - Brooks Anderson | specific magazine's point of view because it's |
| | never going to be as good. You have to shoot |
| The difficulty with color is to go beyond the | for yourself and photograph [the way] you |
| fact that it's color to have it be not just a | believe it. - Mary Ellen Mark |
| colorful picture but really be a picture about | |
| something. It's difficult. So often color gets | Photography is a major force in explaining |
| caught up in color, and it becomes merely | man to man. - Edward Steichen |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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