| My own eyes are no more than scouts on a | "Simply look with perceptive eyes at the |
| preliminary search, for the camera's eye may | world about you, and trust to your own |
| entirely change my idea. - Edward | reactions and convictions. Ask yourself: |
| Weston | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| A mad, keen photographer needs to get out | personal statement of what I feel and want to |
| into the world and work and make mistakes. | convey - from the subject before me?" |
| - Sam Abell | - Ansel Adams |
| | |
| The virtue of the camera is not the power it | Photography takes an instant out of time, |
| has to transform the photographer into an | altering life by holding it still. - Dorothea |
| artist, but the impulse it gives him to keep on | Lange |
| looking. - Brooks Anderson | |
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Chicago |
St. Louis |
Louisville |
Clarksville |
San Bernardino |
Winter Park |
Englewood |
Reading |
Greenville |
Madisonville |
Odessa |
Gettysburg |
Missoula |
Beaver Falls |
Port Allen |
Blackwood |
Mobridge |
Leavenworth |
Hopewell |
Columbia |
Del Mar |
Conneaut |
New Ashford |
Tahoe City |
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| Sometimes you can tell a large story with a | Photography records the gamut of feelings |
| tiny subject. - Eliot Porter | written on the human face, the beauty of the |
| | earth and skies that man has inherited and the |
| A good picture is equivalent to a good deed. | wealth and confusion man has created. |
| - Vincent Van Gogh | - Edward Steichen |
| | |
| A great photograph is one that fully expresses | ...words and pictures can work together to |
| what one feels, in the deepest sense, about | communicate more powerfully than either |
| what is being photographed. - Ansel | alone. -William Albert Allard |
| Adams | |
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