| Once photography enters your bloodstream, | A good picture is equivalent to a good deed. |
| it's like a disease. - Anon | - Vincent Van Gogh |
| | |
| Photography is my passion. - Alfred | I think the best pictures are often on the edges |
| Stieglitz | of any situation, I don't find photographing the |
| | situation nearly as interesting as |
| Now to consult the rules of composition before | photographing the edges. - William Albert |
| making a picture is a little like consulting the | Allard |
| law of gravitation before going for a walk. | |
| Such rules and laws are deduced from the | You can find pictures anywhere. It's simply a |
| accomplished fact; they are the products of | matter of noticing things and organizing them. |
| reflection . . . - Edward Weston | You just have to care about what's around you |
| | and have a concern with humanity and the |
| | human comedy. - Elliott Erwitt |
|
|
Las Vegas |
St. Louis |
El Paso |
Atlanta |
Savannah |
Livonia |
Milwaukee |
Tallahassee |
Williamsburg |
Alton |
Somerville |
Nampa |
Kennesaw |
Campbell |
Lexington |
St. Charles |
Tucson |
Odessa |
Brattleboro |
Alexandria |
Ottumwa |
San Rafael |
Independence |
Kendallville |
Des Plaines |
Sedona |
|
|
| Pictures you have taken have an influence on | The camera makes everyone a tourist in other |
| those that you are going to make. | people's reality. - Susan Sontag |
| That's life! - John Sexton | |
| | Photography suits the temper of this ageof |
| You've got to push yourself harder. You've got | active bodies and minds. It is a perfect |
| to start looking for pictures nobody else could | medium for one whose mind is teeming with |
| take. You've got to take the tools you have and | ideas, imagery, for a prolific worker who |
| probe deeper. - William Albert Allard | would be slowed down by painting or |
| | sculpting, for one who sees quickly and acts |
| Memory is very important, the memory of | decisively, accurately. - Edward Weston |
| each photo taken, flowing at the same speed | |
| as the event. During the work, you have to be | |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | |
|