| Photography knows how to authenticate its | You can find pictures anywhere. It's simply a |
| misrepresentations. - Mason Cooley | matter of noticing things and organizing them. |
| | You just have to care about what's around you |
| Memory is very important, the memory of | and have a concern with humanity and the |
| each photo taken, flowing at the same speed | human comedy. - Elliott Erwitt |
| as the event. During the work, you have to be | |
| sure that you haven't left any holes, that you've | Sometimes you can tell a large story with a |
| captured everything, because afterwards it will | tiny subject. - Eliot Porter |
| be too late. - Henri Cartier Bresson | |
| | A room hung with pictures is a room hung with |
| | thoughts. - Sir Joshua Reynolds |
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New York |
Portland |
Oakland |
Chicago |
Toledo |
Birmingham |
Long Beach |
Detroit |
Bellevue |
Santa Barbara |
Fairbanks |
Fond Du Lac |
West Mifflin |
Marshall |
Front Royal |
San Marcos |
Moline |
Fremont |
North Fort Myers |
American Fork |
Southern Pines |
Sulphur |
Adel |
Martinsville |
Huntington |
Jefferson City |
Crystal River |
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| There is nothing worse than a sharp image of | A mad, keen photographer needs to get out |
| a fuzzy concept. - Ansel Adams | into the world and work and make mistakes. |
| | - Sam Abell |
| "Simply look with perceptive eyes at the | |
| world about you, and trust to your own | The camera makes everyone a tourist in other |
| reactions and convictions. Ask yourself: | people's reality. - Susan Sontag |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | My own eyes are no more than scouts on a |
| personal statement of what I feel and want to | preliminary search, for the camera's eye may |
| convey - from the subject before me?" | entirely change my idea. - Edward |
| - Ansel Adams | Weston |
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