| I think you have to have a real point of view | Once photography enters your bloodstream, |
| that's your own. You have to tell it your way. | it's like a disease. - Anon |
| And, I think that it's a mistake to shoot for a | |
| specific magazine's point of view because it's | Above all, it's hard learning to live with vivid |
| never going to be as good. You have to shoot | mental images of scenes I cared for and failed |
| for yourself and photograph [the way] you | to photograph. It is the edgy existence within |
| believe it. - Mary Ellen Mark | me of these unmade images that is the only |
| | assurance that the best photographs are yet to |
| Photography records the gamut of feelings | be made. - Sam Abell |
| written on the human face, the beauty of the | |
| earth and skies that man has inherited and the | |
| wealth and confusion man has created. | |
| - Edward Steichen | |
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|
New York |
Philadelphia |
Brooklyn |
Staten Island |
St. Louis |
Warren |
Boise |
Wilmington |
Cape Coral |
York |
Palm Harbor |
San Jose |
Gulfport |
Taylor |
Woodbridge |
Spartanburg |
Atchison |
Covina |
Troy |
Southern Pines |
Canyon |
Johnson City |
Oak Forest |
Tullahoma |
Smyrna |
Taunton |
London |
Harrodsburg |
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| The virtue of the camera is not the power it | I think the best pictures are often on the edges |
| has to transform the photographer into an | of any situation, I don't find photographing the |
| artist, but the impulse it gives him to keep on | situation nearly as interesting as |
| looking. - Brooks Anderson | photographing the edges. - William Albert |
| | Allard |
| I almost never set out to photograph a | |
| landscape, nor do I think of my camera as a | A picture is the expression of an impression. If |
| means of recording a mountain or an animal | the beautiful were not in us, how would we |
| unless I absolutely need a 'record shot'. My | ever recognize it? - Ernst Haas |
| first thought is always of light. - Galen | |
| Rowell | |
|