| The virtue of the camera is not the power it | A great photograph is one that fully expresses |
| has to transform the photographer into an | what one feels, in the deepest sense, about |
| artist, but the impulse it gives him to keep on | what is being photographed. - Ansel |
| looking. - Brooks Anderson | Adams |
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| I almost never set out to photograph a | Keep it simple. - Alfred Eienstaedt |
| landscape, nor do I think of my camera as a | |
| means of recording a mountain or an animal | Sometimes you can tell a large story with a |
| unless I absolutely need a 'record shot'. My | tiny subject. - Eliot Porter |
| first thought is always of light. - Galen | |
| Rowell | |
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Milwaukee |
Omaha |
Nashville |
Houma |
Kalamazoo |
Council Bluffs |
Bronx |
St. Paul |
Hampton |
Okeechobee |
Concord |
San Clemente |
Edina |
Williamsville |
The Woodlands |
Macomb |
St. Louis Park |
Gardendale |
Stephens City |
Bellevue |
Middleton |
Rowlett |
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| It is not the language of painters but the | ...words and pictures can work together to |
| language of nature which one should listen to. | communicate more powerfully than either |
| . . . The feeling for the things themselves, for | alone. -William Albert Allard |
| reality, is more important than the feeling for | |
| pictures. - Vincent Van Gogh | Memory is very important, the memory of |
| | each photo taken, flowing at the same speed |
| Now to consult the rules of composition before | as the event. During the work, you have to be |
| making a picture is a little like consulting the | sure that you haven't left any holes, that you've |
| law of gravitation before going for a walk. | captured everything, because afterwards it will |
| Such rules and laws are deduced from the | be too late. - Henri Cartier Bresson |
| accomplished fact; they are the products of | |
| reflection . . . - Edward Weston | |
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