| Keep it simple. - Alfred Eienstaedt | A mad, keen photographer needs to get out |
| | into the world and work and make mistakes. |
| A good picture is equivalent to a good deed. | - Sam Abell |
| - Vincent Van Gogh | |
| | The virtue of the camera is not the power it |
| A room hung with pictures is a room hung with | has to transform the photographer into an |
| thoughts. - Sir Joshua Reynolds | artist, but the impulse it gives him to keep on |
| | looking. - Brooks Anderson |
| You learn to see by practice. It's just like | |
| playing tennis, you get better the more you | One should really use the camera as though |
| play. The more you look around at things, the | tomorrow you'd be stricken blind. |
| more you see. The more you photograph, the | - Dorothea Lange |
| more you realize what can be photographed | |
| and what can't be photographed. You just have | |
| to keep doing it. - Eliot Porter | |
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Oklahoma City |
Atlanta |
Nashville |
Colorado Springs |
Tulsa |
Sacramento |
Columbus |
Cleveland |
Salem |
Portland |
Del City |
Pompano Beach |
Auburn |
Wabash |
Columbus |
Peoria |
Madison |
Worcester |
Dodgeville |
Baker City |
Butte |
Long Island City |
Midland |
Homosassa |
Westminster |
Rialto |
Half Moon Bay |
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| It is not the language of painters but the | Photography is about finding out what can |
| language of nature which one should listen to. | happen in the frame. When you put four |
| . . . The feeling for the things themselves, for | edges around some facts, you change those |
| reality, is more important than the feeling for | facts. - Gary Winogrand |
| pictures. - Vincent Van Gogh | |
| | Memory is very important, the memory of |
| [Photography] is a way of feeling, of touching, | each photo taken, flowing at the same speed |
| of loving. What you have caught on film is | as the event. During the work, you have to be |
| captured forever . . . it remembers little things, | sure that you haven't left any holes, that you've |
| long after you have forgotten everything. | captured everything, because afterwards it will |
| - Aaron Siskind | be too late. - Henri Cartier Bresson |
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