| I think the best pictures are often on the edges | Photography suits the temper of this ageof |
| of any situation, I don't find photographing the | active bodies and minds. It is a perfect |
| situation nearly as interesting as | medium for one whose mind is teeming with |
| photographing the edges. - William Albert | ideas, imagery, for a prolific worker who |
| Allard | would be slowed down by painting or |
| | sculpting, for one who sees quickly and acts |
| Sometimes you can tell a large story with a | decisively, accurately. - Edward Weston |
| tiny subject. - Eliot Porter | |
| | My own eyes are no more than scouts on a |
| You learn to see by practice. It's just like | preliminary search, for the camera's eye may |
| playing tennis, you get better the more you | entirely change my idea. - Edward |
| play. The more you look around at things, the | Weston |
| more you see. The more you photograph, the | |
| more you realize what can be photographed | |
| and what can't be photographed. You just have | |
| to keep doing it. - Eliot Porter | |
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Houston |
Denver |
Staten Island |
Columbus |
Silver Spring |
Asheville |
Baltimore |
Stamford |
Hialeah |
Dallas |
Lawrenceville |
Grand Prairie |
Altamonte Springs |
Vallejo |
Abingdon |
Little Falls |
Medford |
Buffalo |
Port Jefferson |
Burlington |
Lakeland |
Lebanon |
Natchez |
Uniontown |
Parksville |
North East |
Brinkley |
Irvine |
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| You've got to push yourself harder. You've got | [Photography] is a way of feeling, of touching, |
| to start looking for pictures nobody else could | of loving. What you have caught on film is |
| take. You've got to take the tools you have and | captured forever . . . it remembers little things, |
| probe deeper. - William Albert Allard | long after you have forgotten everything. |
| | - Aaron Siskind |
| Pictures you have taken have an influence on | |
| those that you are going to make. | It is not the language of painters but the |
| That's life! - John Sexton | language of nature which one should listen to. |
| | . . . The feeling for the things themselves, for |
| Photography records the gamut of feelings | reality, is more important than the feeling for |
| written on the human face, the beauty of the | pictures. - Vincent Van Gogh |
| earth and skies that man has inherited and the | |
| wealth and confusion man has created. | |
| - Edward Steichen | |
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