| A room hung with pictures is a room hung with | [Photography] is a way of feeling, of touching, |
| thoughts. - Sir Joshua Reynolds | of loving. What you have caught on film is |
| | captured forever . . . it remembers little things, |
| A picture is the expression of an impression. If | long after you have forgotten everything. |
| the beautiful were not in us, how would we | - Aaron Siskind |
| ever recognize it? - Ernst Haas | |
| | Now to consult the rules of composition before |
| A great photograph is one that fully expresses | making a picture is a little like consulting the |
| what one feels, in the deepest sense, about | law of gravitation before going for a walk. |
| what is being photographed. - Ansel | Such rules and laws are deduced from the |
| Adams | accomplished fact; they are the products of |
| | reflection . . . - Edward Weston |
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Houston |
San Antonio |
Austin |
Kansas City |
Fresno |
Decatur |
Fairfax |
Conyers |
Bedford |
Idabel |
Leavenworth |
Beaufort |
Ennis |
Twin Falls |
Williamsville |
Midlothian |
Kingwood |
Bastrop |
Hinesville |
Vineland |
Alva |
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| You've got to push yourself harder. You've got | The difficulty with color is to go beyond the |
| to start looking for pictures nobody else could | fact that it's color to have it be not just a |
| take. You've got to take the tools you have and | colorful picture but really be a picture about |
| probe deeper. - William Albert Allard | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| Memory is very important, the memory of | decorative. Some photographers use [ it ] |
| each photo taken, flowing at the same speed | brilliantly to make visual statements combining |
| as the event. During the work, you have to be | color and content; otherwise it is empty. |
| sure that you haven't left any holes, that you've | - Mary Ellen Mark |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | |
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