| My own eyes are no more than scouts on a | It is not the language of painters but the |
| preliminary search, for the camera's eye may | language of nature which one should listen to. |
| entirely change my idea. - Edward | . . . The feeling for the things themselves, for |
| Weston | reality, is more important than the feeling for |
| | pictures. - Vincent Van Gogh |
| The difficulty with color is to go beyond the | |
| fact that it's color to have it be not just a | Photography takes an instant out of time, |
| colorful picture but really be a picture about | altering life by holding it still. - Dorothea |
| something. It's difficult. So often color gets | Lange |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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| You can find pictures anywhere. It's simply a | Photography knows how to authenticate its |
| matter of noticing things and organizing them. | misrepresentations. - Mason Cooley |
| You just have to care about what's around you | |
| and have a concern with humanity and the | Memory is very important, the memory of |
| human comedy. - Elliott Erwitt | each photo taken, flowing at the same speed |
| | as the event. During the work, you have to be |
| No place is boring, if you've had a good | sure that you haven't left any holes, that you've |
| night's sleep and have a pocket full of | captured everything, because afterwards it will |
| unexposed film. - Robert Adams | be too late. - Henri Cartier Bresson |
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