| Photography is about finding out what can | The difficulty with color is to go beyond the |
| happen in the frame. When you put four | fact that it's color to have it be not just a |
| edges around some facts, you change those | colorful picture but really be a picture about |
| facts. - Gary Winogrand | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| Memory is very important, the memory of | decorative. Some photographers use [ it ] |
| each photo taken, flowing at the same speed | brilliantly to make visual statements combining |
| as the event. During the work, you have to be | color and content; otherwise it is empty. |
| sure that you haven't left any holes, that you've | - Mary Ellen Mark |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | |
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Houston |
Las Vegas |
San Francisco |
West Palm Beach |
Jackson |
Waco |
Hurst |
New Castle |
West Warwick |
Muskogee |
Lewiston |
La Plata |
Fairmont |
Runnemede |
Oakdale |
Mexico |
Mobridge |
Escanaba |
Peru |
Scarborough |
Dry Ridge |
Bainbridge |
Hutchinson |
El Dorado |
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| I think the best pictures are often on the edges | Once photography enters your bloodstream, |
| of any situation, I don't find photographing the | it's like a disease. - Anon |
| situation nearly as interesting as | |
| photographing the edges. - William Albert | Photography takes an instant out of time, |
| Allard | altering life by holding it still. - Dorothea |
| | Lange |
| No place is boring, if you've had a good | |
| night's sleep and have a pocket full of | "Simply look with perceptive eyes at the |
| unexposed film. - Robert Adams | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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