| You can find pictures anywhere. It's simply a | The difficulty with color is to go beyond the |
| matter of noticing things and organizing them. | fact that it's color to have it be not just a |
| You just have to care about what's around you | colorful picture but really be a picture about |
| and have a concern with humanity and the | something. It's difficult. So often color gets |
| human comedy. - Elliott Erwitt | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| No place is boring, if you've had a good | brilliantly to make visual statements combining |
| night's sleep and have a pocket full of | color and content; otherwise it is empty. |
| unexposed film. - Robert Adams | - Mary Ellen Mark |
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San Francisco |
Phoenix |
Pittsburgh |
Lakeland |
Richmond |
Southfield |
Downey |
Ogden |
Lawrenceville |
Independence |
Charleston |
Melbourne |
Harrisburg |
Portsmouth |
Grayson |
Warrenville |
Tyngsboro |
Gainesville |
Newark |
Lancaster |
Springfield |
Susanville |
Manteca |
Tombstone |
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| Photography is about finding out what can | Photography takes an instant out of time, |
| happen in the frame. When you put four | altering life by holding it still. - Dorothea |
| edges around some facts, you change those | Lange |
| facts. - Gary Winogrand | |
| | "Simply look with perceptive eyes at the |
| Pictures you have taken have an influence on | world about you, and trust to your own |
| those that you are going to make. | reactions and convictions. Ask yourself: |
| That's life! - John Sexton | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| You've got to push yourself harder. You've got | personal statement of what I feel and want to |
| to start looking for pictures nobody else could | convey - from the subject before me?" |
| take. You've got to take the tools you have and | - Ansel Adams |
| probe deeper. - William Albert Allard | |
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