| Memory is very important, the memory of | A picture is the expression of an impression. If |
| each photo taken, flowing at the same speed | the beautiful were not in us, how would we |
| as the event. During the work, you have to be | ever recognize it? - Ernst Haas |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | No place is boring, if you've had a good |
| be too late. - Henri Cartier Bresson | night's sleep and have a pocket full of |
| | unexposed film. - Robert Adams |
| Photography knows how to authenticate its | |
| misrepresentations. - Mason Cooley | A great photograph is one that fully expresses |
| | what one feels, in the deepest sense, about |
| | what is being photographed. - Ansel |
| | Adams |
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Los Angeles |
San Antonio |
Dallas |
Lafayette |
Mesa |
Kingsport |
Denville |
Henderson |
Henderson |
Jackson |
Tarrytown |
Carthage |
Southgate |
Peoria |
Eaton |
Hasbrouck Heights |
Menlo Park |
Morrilton |
Brea |
Saraland |
Montgomeryville |
Oakland |
North Bay Village |
Windom |
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| "Simply look with perceptive eyes at the | Photography suits the temper of this ageof |
| world about you, and trust to your own | active bodies and minds. It is a perfect |
| reactions and convictions. Ask yourself: | medium for one whose mind is teeming with |
| "Does this subject move me to feel, think | ideas, imagery, for a prolific worker who |
| and dream? Can I visualize a print - my own | would be slowed down by painting or |
| personal statement of what I feel and want to | sculpting, for one who sees quickly and acts |
| convey - from the subject before me?" | decisively, accurately. - Edward Weston |
| - Ansel Adams | |
| | The camera makes everyone a tourist in other |
| It is not the language of painters but the | people's reality. - Susan Sontag |
| language of nature which one should listen to. | |
| . . . The feeling for the things themselves, for | |
| reality, is more important than the feeling for | |
| pictures. - Vincent Van Gogh | |
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