| Pictures you have taken have an influence on | There is nothing worse than a sharp image of |
| those that you are going to make. | a fuzzy concept. - Ansel Adams |
| That's life! - John Sexton | |
| | "Simply look with perceptive eyes at the |
| Memory is very important, the memory of | world about you, and trust to your own |
| each photo taken, flowing at the same speed | reactions and convictions. Ask yourself: |
| as the event. During the work, you have to be | "Does this subject move me to feel, think |
| sure that you haven't left any holes, that you've | and dream? Can I visualize a print - my own |
| captured everything, because afterwards it will | personal statement of what I feel and want to |
| be too late. - Henri Cartier Bresson | convey - from the subject before me?" |
| | - Ansel Adams |
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New York |
Dallas |
Detroit |
Rochester |
Colorado Springs |
Waco |
Montgomery |
Fresno |
Wichita |
Sikeston |
Loudon |
Attleboro |
Buena Park |
Circleville |
Akron |
Iola |
Seekonk |
Bourbonnais |
Albertville |
Randolph |
Lafayette |
Youngstown |
Laguna Beach |
Bishop |
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| I almost never set out to photograph a | A room hung with pictures is a room hung with |
| landscape, nor do I think of my camera as a | thoughts. - Sir Joshua Reynolds |
| means of recording a mountain or an animal | |
| unless I absolutely need a 'record shot'. My | Keep it simple. - Alfred Eienstaedt |
| first thought is always of light. - Galen | |
| Rowell | A great photograph is one that fully expresses |
| | what one feels, in the deepest sense, about |
| The camera makes everyone a tourist in other | what is being photographed. - Ansel |
| people's reality. - Susan Sontag | Adams |
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