| Sometimes you can tell a large story with a | I almost never set out to photograph a |
| tiny subject. - Eliot Porter | landscape, nor do I think of my camera as a |
| | means of recording a mountain or an animal |
| You learn to see by practice. It's just like | unless I absolutely need a 'record shot'. My |
| playing tennis, you get better the more you | first thought is always of light. - Galen |
| play. The more you look around at things, the | Rowell |
| more you see. The more you photograph, the | |
| more you realize what can be photographed | One should really use the camera as though |
| and what can't be photographed. You just have | tomorrow you'd be stricken blind. |
| to keep doing it. - Eliot Porter | - Dorothea Lange |
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Nashville |
Providence |
Gainesville |
Tucson |
Columbia |
Waterloo |
Culver City |
Fayetteville |
Santa Fe |
Lawrence |
Liberty |
Robinson |
Bonita Springs |
Harrisonburg |
Marlborough |
Midlothian |
Ogden |
Texas City |
Alpharetta |
Hampton |
Medina |
Escondido |
Monroe |
Port Aransas |
Versailles |
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| Photography takes an instant out of time, | Memory is very important, the memory of |
| altering life by holding it still. - Dorothea | each photo taken, flowing at the same speed |
| Lange | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| [Photography] is a way of feeling, of touching, | captured everything, because afterwards it will |
| of loving. What you have caught on film is | be too late. - Henri Cartier Bresson |
| captured forever . . . it remembers little things, | |
| long after you have forgotten everything. | Photography records the gamut of feelings |
| - Aaron Siskind | written on the human face, the beauty of the |
| | earth and skies that man has inherited and the |
| | wealth and confusion man has created. |
| | - Edward Steichen |
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