| The virtue of the camera is not the power it | I think the best pictures are often on the edges |
| has to transform the photographer into an | of any situation, I don't find photographing the |
| artist, but the impulse it gives him to keep on | situation nearly as interesting as |
| looking. - Brooks Anderson | photographing the edges. - William Albert |
| | Allard |
| The difficulty with color is to go beyond the | |
| fact that it's color to have it be not just a | Keep it simple. - Alfred Eienstaedt |
| colorful picture but really be a picture about | |
| something. It's difficult. So often color gets | You learn to see by practice. It's just like |
| caught up in color, and it becomes merely | playing tennis, you get better the more you |
| decorative. Some photographers use [ it ] | play. The more you look around at things, the |
| brilliantly to make visual statements combining | more you see. The more you photograph, the |
| color and content; otherwise it is empty. | more you realize what can be photographed |
| - Mary Ellen Mark | and what can't be photographed. You just have |
| | to keep doing it. - Eliot Porter |
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San Antonio |
Fort Worth |
Fresno |
Little Rock |
Pensacola |
West Palm Beach |
Louisville |
Edison |
Red Bank |
Conyers |
Longview |
Littleton |
San Diego |
Glen Cove |
North Miami |
Anaheim Hills |
Newton |
Fremont |
Milaca |
Morehead City |
Flora |
Pearland |
Nampa |
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| [Photography] is a way of feeling, of touching, | Pictures you have taken have an influence on |
| of loving. What you have caught on film is | those that you are going to make. |
| captured forever . . . it remembers little things, | That's life! - John Sexton |
| long after you have forgotten everything. | |
| - Aaron Siskind | You've got to push yourself harder. You've got |
| | to start looking for pictures nobody else could |
| There is nothing worse than a sharp image of | take. You've got to take the tools you have and |
| a fuzzy concept. - Ansel Adams | probe deeper. - William Albert Allard |
| | |
| Above all, it's hard learning to live with vivid | Photography is a major force in explaining |
| mental images of scenes I cared for and failed | man to man. - Edward Steichen |
| to photograph. It is the edgy existence within | |
| me of these unmade images that is the only | |
| assurance that the best photographs are yet to | |
| be made. - Sam Abell | |
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