| Sometimes you can tell a large story with a | "Simply look with perceptive eyes at the |
| tiny subject. - Eliot Porter | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| No place is boring, if you've had a good | "Does this subject move me to feel, think |
| night's sleep and have a pocket full of | and dream? Can I visualize a print - my own |
| unexposed film. - Robert Adams | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| A great photograph is one that fully expresses | - Ansel Adams |
| what one feels, in the deepest sense, about | |
| what is being photographed. - Ansel | There is nothing worse than a sharp image of |
| Adams | a fuzzy concept. - Ansel Adams |
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Oklahoma City |
Nashville |
Corpus Christi |
Tallahassee |
South Bend |
San Diego |
Huntsville |
Louisville |
Atlanta |
Chula Vista |
Valdosta |
Williamsburg |
Bay City |
Decatur |
Lawrence |
Denton |
El Dorado |
Columbia |
Grants Pass |
Van Nuys |
Skokie |
Westfield |
Exton |
Kankakee |
Hattiesburg |
Chesterfield |
Willows |
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| My own eyes are no more than scouts on a | I think you have to have a real point of view |
| preliminary search, for the camera's eye may | that's your own. You have to tell it your way. |
| entirely change my idea. - Edward | And, I think that it's a mistake to shoot for a |
| Weston | specific magazine's point of view because it's |
| | never going to be as good. You have to shoot |
| The virtue of the camera is not the power it | for yourself and photograph [the way] you |
| has to transform the photographer into an | believe it. - Mary Ellen Mark |
| artist, but the impulse it gives him to keep on | |
| looking. - Brooks Anderson | Pictures you have taken have an influence on |
| | those that you are going to make. |
| | That's life! - John Sexton |
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