| Memory is very important, the memory of | No place is boring, if you've had a good |
| each photo taken, flowing at the same speed | night's sleep and have a pocket full of |
| as the event. During the work, you have to be | unexposed film. - Robert Adams |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | You can find pictures anywhere. It's simply a |
| be too late. - Henri Cartier Bresson | matter of noticing things and organizing them. |
| | You just have to care about what's around you |
| I think you have to have a real point of view | and have a concern with humanity and the |
| that's your own. You have to tell it your way. | human comedy. - Elliott Erwitt |
| And, I think that it's a mistake to shoot for a | |
| specific magazine's point of view because it's | |
| never going to be as good. You have to shoot | |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | |
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Houston |
Dallas |
Phoenix |
San Diego |
Tucson |
Seattle |
Birmingham |
Waco |
Florissant |
Macon |
Brunswick |
Bethlehem |
Mount Vernon |
Cullman |
Augusta |
Coral Springs |
Ames |
Kansas City |
Middleboro |
Moncks Corner |
Sunnyvale |
Teaneck |
Walterboro |
Portsmouth |
Blairsville |
Royston |
Wyoming |
Hood River |
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| Once photography enters your bloodstream, | My own eyes are no more than scouts on a |
| it's like a disease. - Anon | preliminary search, for the camera's eye may |
| | entirely change my idea. - Edward |
| Now to consult the rules of composition before | Weston |
| making a picture is a little like consulting the | |
| law of gravitation before going for a walk. | A mad, keen photographer needs to get out |
| Such rules and laws are deduced from the | into the world and work and make mistakes. |
| accomplished fact; they are the products of | - Sam Abell |
| reflection . . . - Edward Weston | |
| | One should really use the camera as though |
| | tomorrow you'd be stricken blind. |
| | - Dorothea Lange |
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