| "Simply look with perceptive eyes at the | You can find pictures anywhere. It's simply a |
| world about you, and trust to your own | matter of noticing things and organizing them. |
| reactions and convictions. Ask yourself: | You just have to care about what's around you |
| "Does this subject move me to feel, think | and have a concern with humanity and the |
| and dream? Can I visualize a print - my own | human comedy. - Elliott Erwitt |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | A picture is the expression of an impression. If |
| - Ansel Adams | the beautiful were not in us, how would we |
| | ever recognize it? - Ernst Haas |
| Photography is my passion. - Alfred | |
| Stieglitz | |
|
|
New York |
Los Angeles |
Chicago |
Orlando |
Knoxville |
Mesa |
Pensacola |
Oklahoma City |
Boston |
Wilmington |
Baltimore |
Riverside |
Jamaica |
Birmingham |
Morristown |
Dunedin |
Glendale |
Albertville |
Missoula |
Florence |
Blackwood |
Washington |
Shelbyville |
Clinton |
Vicksburg |
Dunmore |
Wytheville |
Colonial Heights |
Williamsville |
Custer |
|
|
| The virtue of the camera is not the power it | Pictures you have taken have an influence on |
| has to transform the photographer into an | those that you are going to make. |
| artist, but the impulse it gives him to keep on | That's life! - John Sexton |
| looking. - Brooks Anderson | |
| | Memory is very important, the memory of |
| The camera makes everyone a tourist in other | each photo taken, flowing at the same speed |
| people's reality. - Susan Sontag | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| My own eyes are no more than scouts on a | captured everything, because afterwards it will |
| preliminary search, for the camera's eye may | be too late. - Henri Cartier Bresson |
| entirely change my idea. - Edward | |
| Weston | |
|