| Photography knows how to authenticate its | A mad, keen photographer needs to get out |
| misrepresentations. - Mason Cooley | into the world and work and make mistakes. |
| | - Sam Abell |
| Memory is very important, the memory of | |
| each photo taken, flowing at the same speed | One should really use the camera as though |
| as the event. During the work, you have to be | tomorrow you'd be stricken blind. |
| sure that you haven't left any holes, that you've | - Dorothea Lange |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | My own eyes are no more than scouts on a |
| | preliminary search, for the camera's eye may |
| | entirely change my idea. - Edward |
| | Weston |
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| Above all, it's hard learning to live with vivid | A good picture is equivalent to a good deed. |
| mental images of scenes I cared for and failed | - Vincent Van Gogh |
| to photograph. It is the edgy existence within | |
| me of these unmade images that is the only | Sometimes you can tell a large story with a |
| assurance that the best photographs are yet to | tiny subject. - Eliot Porter |
| be made. - Sam Abell | |
| | Keep it simple. - Alfred Eienstaedt |
| [Photography] is a way of feeling, of touching, | |
| of loving. What you have caught on film is | No place is boring, if you've had a good |
| captured forever . . . it remembers little things, | night's sleep and have a pocket full of |
| long after you have forgotten everything. | unexposed film. - Robert Adams |
| - Aaron Siskind | |
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