| A room hung with pictures is a room hung with | Photography records the gamut of feelings |
| thoughts. - Sir Joshua Reynolds | written on the human face, the beauty of the |
| | earth and skies that man has inherited and the |
| A picture is the expression of an impression. If | wealth and confusion man has created. |
| the beautiful were not in us, how would we | - Edward Steichen |
| ever recognize it? - Ernst Haas | |
| | Memory is very important, the memory of |
| A good picture is equivalent to a good deed. | each photo taken, flowing at the same speed |
| - Vincent Van Gogh | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
|
|
San Antonio |
Pittsburgh |
Brooklyn |
Miami |
Fort Worth |
Belleville |
Columbia |
Peabody |
Minneapolis |
Elmira |
Redlands |
Mount Pleasant |
Watertown |
Henderson |
Spring Hill |
Hagerstown |
Moorhead |
Baltimore |
Wallace |
Clive |
Cave City |
New Buffalo |
St Goar |
Cornelius |
Mulberry |
|
|
| Above all, it's hard learning to live with vivid | The camera makes everyone a tourist in other |
| mental images of scenes I cared for and failed | people's reality. - Susan Sontag |
| to photograph. It is the edgy existence within | |
| me of these unmade images that is the only | One should really use the camera as though |
| assurance that the best photographs are yet to | tomorrow you'd be stricken blind. |
| be made. - Sam Abell | - Dorothea Lange |
| | |
| It is not the language of painters but the | My own eyes are no more than scouts on a |
| language of nature which one should listen to. | preliminary search, for the camera's eye may |
| . . . The feeling for the things themselves, for | entirely change my idea. - Edward |
| reality, is more important than the feeling for | Weston |
| pictures. - Vincent Van Gogh | |
|