| "Simply look with perceptive eyes at the | One should really use the camera as though |
| world about you, and trust to your own | tomorrow you'd be stricken blind. |
| reactions and convictions. Ask yourself: | - Dorothea Lange |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | My own eyes are no more than scouts on a |
| personal statement of what I feel and want to | preliminary search, for the camera's eye may |
| convey - from the subject before me?" | entirely change my idea. - Edward |
| - Ansel Adams | Weston |
| | |
| It is not the language of painters but the | I almost never set out to photograph a |
| language of nature which one should listen to. | landscape, nor do I think of my camera as a |
| . . . The feeling for the things themselves, for | means of recording a mountain or an animal |
| reality, is more important than the feeling for | unless I absolutely need a 'record shot'. My |
| pictures. - Vincent Van Gogh | first thought is always of light. - Galen |
| | Rowell |
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Charlotte |
Houston |
Brooklyn |
Riverside |
Austin |
Abilene |
Ann Arbor |
Noblesville |
Fernandina Beach |
Grants Pass |
Lewisville |
Glendale |
Novi |
Liverpool |
Morrisville |
Douglassville |
West Branch |
Woburn |
Exton |
Fountain Valley |
Havre |
Cameron |
Aiken |
Greenville |
Syosset |
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| Sometimes you can tell a large story with a | You've got to push yourself harder. You've got |
| tiny subject. - Eliot Porter | to start looking for pictures nobody else could |
| | take. You've got to take the tools you have and |
| No place is boring, if you've had a good | probe deeper. - William Albert Allard |
| night's sleep and have a pocket full of | |
| unexposed film. - Robert Adams | Photography records the gamut of feelings |
| | written on the human face, the beauty of the |
| A good picture is equivalent to a good deed. | earth and skies that man has inherited and the |
| - Vincent Van Gogh | wealth and confusion man has created. |
| | - Edward Steichen |
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