| A good picture is equivalent to a good deed. | It is not the language of painters but the |
| - Vincent Van Gogh | language of nature which one should listen to. |
| | . . . The feeling for the things themselves, for |
| No place is boring, if you've had a good | reality, is more important than the feeling for |
| night's sleep and have a pocket full of | pictures. - Vincent Van Gogh |
| unexposed film. - Robert Adams | |
| | "Simply look with perceptive eyes at the |
| A picture is the expression of an impression. If | world about you, and trust to your own |
| the beautiful were not in us, how would we | reactions and convictions. Ask yourself: |
| ever recognize it? - Ernst Haas | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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Houston |
Rochester |
Reno |
Aurora |
Tampa |
Boulder |
Palo Alto |
Iowa City |
Muskogee |
Jamestown |
Gadsden |
Jamaica |
Las Vegas |
Macon |
Grove |
Newton |
Mountain Home |
Clifton Park |
Vicksburg |
Mobile |
Owensboro |
Tuscaloosa |
Mclean |
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| Pictures you have taken have an influence on | A mad, keen photographer needs to get out |
| those that you are going to make. | into the world and work and make mistakes. |
| That's life! - John Sexton | - Sam Abell |
| | |
| Photography is about finding out what can | The difficulty with color is to go beyond the |
| happen in the frame. When you put four | fact that it's color to have it be not just a |
| edges around some facts, you change those | colorful picture but really be a picture about |
| facts. - Gary Winogrand | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| Memory is very important, the memory of | decorative. Some photographers use [ it ] |
| each photo taken, flowing at the same speed | brilliantly to make visual statements combining |
| as the event. During the work, you have to be | color and content; otherwise it is empty. |
| sure that you haven't left any holes, that you've | - Mary Ellen Mark |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | |
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